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Video Samples and Contents

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La Meta de Chango

Contents

Disc 1

Interview with Daniel Alfonso				Daniel speaks about how he learned to drum cabildos in Cuba the history of Aña in Matanzas
Oro Seco (as played at the Cabildo Santa Teresa in Matanzas, Cuba)				Introductions and toques (rhythms) for Elegua Ogun Ochosi Inle Babaluaye Osain Orisha Oko Orula Agayu Chango Obatala Yewa Obba Oya Ochun Olokun & Yemaya, with La Meta de Chango
El Lenguaje del Tambor: Interview				The drummers talk about how the drums talk why new priests are presented to the sacred drums ichavoro and ichavori the role of the drummer in the religious celebration what it means to be sworn to the sacred drums learning the language of the drums
El Lenguaje del Tambor: Demonstration				The drummers illustrate the language of the drums with Aluguanche Pa' la calle Ayakuta Ala dide Comarita Orichan pagua Bonko igualoro Chaku malecun Enitologuo Iba Ochun guainlele
Interview with Esteban "Chachá" Vega Baccallao				Chachá talks about his start with Los Muñequitos de Matanzas "Little Africa," where he was raised the history of Aña in Matanzas the difference between Matanzas and Havana styles

Disc 2

Okonkolo Technique				Tutorial and demonstrations
Itotele Technique				Tutorial and demonstrations
Iya Technique				Tutorial and Demonstrations
The Dynamic of the Drums				Daniel describes the energy a drummer adds to technique
By Rhythm, By Drum				Daniel plays Okonkolo, Itotele and Iya for each of the 19 rhythms of the Oro Seco 3 camera angles focus on the front, inu and chacha Choose the toque, then choose the drum
The Close				Daniel describes how a tambor with Aña is closed. The three drummers play the Close Matanzas-style Ibejis Oya Elegua Orole, Somugaga & Agolona de Yemaya

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